What's this? Another serial?
Mar. 6th, 2010 07:47 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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My plan was to do one. Fireborn. And really, one serial while doing other writing for publication is enough.
But then I found #FridayFlash, which stretches me in a different way. And part of me is still amazed that I can write whole stories (or at least enough of a story to be satisfying) in less than 1000 words.
So, why am I now (apparently) writing another serial?
The thing is, when I sit down to write, something mysterious happens. The words I put down are (mostly) simply not there until I start. Then, on good days, they just flow, each one shaped by the rest. And by other things, most of which are completely outside my focus-of-the-moment.
Fog and Lembas, for instance, was written in one sitting, as was Deep Dreams. Sure, I polished them a bit, afterward. But neither needed much. (I wish I could always do that. There’s other pieces I’ve spent a lot more time on, that aren’t as good.)
In both stories, I had no idea what I would be writing until I started. Consciously, anyway. I picked a name for a character and made the character do something, and kept going. Now, there’s all sorts of things I think about consciously as I go, once I have at least one character in a situation. But that starting point is mysterious to me, even though I can predictably start a story. Event though, frequently, I can’t predict what it will be about.
And 1000 words is so short! For me, anyway, this length emphasizes that there’s a multitude of stories to tell about any one character or setting.
But I was talking about the creative process, and writing serials. And a significant part of that is you. Your comments help me to know what’s working. And even better—sometimes they make me think. Long comments, comments like
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Feather-Blessed started similarly, with my commitment to write stories for #fridayflash, and no story written yet. No particular idea ready for writing in my conscious mind. So I made up a character, and gave her action—speaking to her friend, which then required another character. And suddenly, I had a backdrop, and characters, and a situation, things to work on using all the various storytelling skills that I’ve worked to acquire. And I wrote, and polished, and read it aloud, and posted it.
I didn’t plan a serial.
But then you commented, and asked questions, inspiring me with both your words and your pocketbooks. And I thank you for both.